/page/2

Call for Papers

nb “Super the Natural”

Yozzer’s Cadence

I could     have been     a footballer
But I     had         a paper round.

I could     make out     a cadence
But I        
       
        misuse     a metrical
                        beat.

        take out     a        
        representative.     outperform

                development  infuse
        mouth

I         make        a      track
    I     voice

            bourgeois     metrical bar
But I
   
    market public         liverpool
    georgian city     a     better past.

I
But I

I could     carp up
But I

I could     store public     soul         cyprinid fish
But I     language  a city

I could                 smithereen
Sodom up     a capitalist   
But I     Elamite love lyric     Almaty

I could         stash away     aggregation     up a
capitalist     cyprinid         malacopterygian
But I     Caucasian             mate text

I could     gray away
        Dnipropetrovsk         crucian carp     whitefish
But I     honky hubby         missive         Kandahar

I could         mean             magnetic
But I passage

I could                     symbolise         a key    
        reproductive         structure         composing
                                             a worse       
                   
                        rhizome
                                    a worse        

                        awful
rootstock         flower
                        worsened

                                    stalk draw

   
                        dreadful         efficient
shuck steep     near to crown     block up
            type            anger

            surrounded     end             lines    
            rhizome mind
But I        

I     bear bounds             ignoble         line of descent     wad up an         end
    central                 near to         rootstock
But I     blood             a writing style         forever     of

        extent             ignoble         out        of        
        literary line                                                up

But I                     describe elegance         of

        contrarian expanse                                 bite off
                    a        
                        diagonal stem                                 up

But I                                 heart      
        adumbrate flair     forever

I could                                                 nibble
           
But I
                flair     forever       

I                                                     chomp off
   

                panache     evermore   

            sweep radix    
           
                    city-born
                elan     forevermore

I             scope
                    fabric
    I

I             name         geographical                         ache    
endmost        


            linage     of         geographical
gastralgia

            pensive
    I
            Olympian        

I                 false
                        endmost
    I

forevermore

I could         hold fast tabula rasa
                                shooting iron        near to
fresh
            body                                    the key curved
    Things impel systems

                            of useful
effusion     off             a         carob scarlet runner     venting near
lyric blank                     monastery
                                    actual
Things evoke systems                of
poetry            

I could                        clinch nomination     cleft     useful
rubber-necking     debacle             off         a     divi-divi pastoral gum
                                                choral ode
But I     encroach                  rhizomatic high-water
    the    
                            magnetic martingale of

                            co-option             blepharism of
                    debacle             a     divi-divi euphorbium
                                widow’s
        sparkle
     the                Things take     the system        off

I could                                         defile
But I        muster
        dander
                clinch

But I             remain last         map-reader
    the key        system
                 alone.

Re: Call for Articles

Dear XXXXXX XXXXXX,

I saw the call for articles via XXXXXX online.  (Please see below my abstract and some background info.)

warm regards
John O’Shea


=============================================

The Girl Chewing Gum (1976) is a wonderful work, hence, quite enough has been written about it.

A dynamic textual mash-up of existing critical readings offers a more relevant and immediate dialogue with this seminal piece.

=============================================

(response)

Dear John,

Your idea is a very good one. But I’d like you to rewrite the abstract. There will probably be about 7 or 8 articles on the film, studying it from various perspectives, and I would not be happy about publishing an abstract stating that quite enough has already been written on the subject. So please leave that out, and please find something that sounds just a bit more scholarly than a “textual mash-up.” Will you offer a critical survey of the literature on the film, comparing the various approaches that have been proposed? Please tell a bit more about what you plan to do and in a manner that would be appropriate for a peer-reviewed journal, though without sounding tedious.

Hope you don’t mind sending a new abstract before I can give a green light to your excellent idea.

Best,
XXXXXXX

Livin’ On A Prayer - subtitles for a new karaoke

Using subtitle (.srt) files as a way of playing with language in relation to video. full article here.

3 00:00:45,000 —> 00:00:49,000 Tommy previously worked in the docks 4 00:00:50,000 —> 00:00:51,500 The Union is on strike 5 00:00:51,500 —> 00:00:56,000 It is his happiness … It’s hard,

Imagine what you could do with your arduino

A bit of kit we didn’t touch on in practice, but which is totally relevant… and this is an amazing application and good comments too…

http://blog.makezine.com/archive/2011/08/enough-already-the-arduino-solution-to-overexposed-celebs.html

code for recursive synonym generator

//this code requires rita wordnet library

/***********************************************************************

 cc non commercial share alike 2011 Tom Schofield tsArt

  * All rights reserved.

 * THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” 

 * AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, 

 * THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE

 * ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE

 * FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES

 * (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS 

 * OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY

 * OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE 

 * OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED

 * OF THE POSSIBILITY OF SUCH DAMAGE. 

 *

 * ***********************************************************************/ 

import rita.wordnet.*;

RiWordnet wordnet;

String word;

String searchWord;

ArrayList display;

int myLimit=0;

PFont font;

int limiter=16;

void setup() {

  size(800,600);

  display=new ArrayList();

  frameRate(20);

  //font=loadFont(“MicrosoftSansSerif-36.vlw”);

  font=loadFont(“Courier-Bold-36.vlw”);

  textFont(font,36);

  wordnet = new RiWordnet(this);

  searchWord=wordnet.getRandomWord(“v”);

  searchWord=”cocainise”;

}

void draw() {

  background(0);

  text(searchWord, width-textWidth(searchWord)-50, height/2);

  if(frameCount%60==0) {

    display=new ArrayList();

    recur(1,searchWord);

  }

    for(int i=0;i<display.size();i++) {

      String displayMe=(String)display.get(i);

      fill(255,50+(map(cos(map(i,0,limiter,-PI/2,PI/2)),0,1,0,150)));

      text(displayMe,50+(i*10),36+(i*36));

      println(i+” “+cos(map(i,0,limiter,-PI/2,PI/2)));

  }

}

void recur( int level, String thisWord) {

  String [] syns=wordnet.getSynonyms(thisWord, “v”);

  try {

    thisWord=syns[0];

  }

  catch(Exception e) {

    println(e);

  }

  // text(“I will “+thisWord,50+(level*10),(level*36));

  String temp=”I will “+thisWord;

  display.add(temp);

  println(display.size());

  if(level<limiter) {

    level++;

    recur( level, thisWord);

  }

}

void keyPressed() {

  searchWord=wordnet.getRandomWord(“v”);

   display=new ArrayList();

  recur(1,searchWord);

}

The Code is Not the Text

Interesting essay by John Cayley via @therourke

Thanks everyone for attending the first Syntax workshop at Madlab.
We came up with these future plans. - commissioning Open Source Code toolbox - developing a web repository for these tools - poets developing new text pieces for this purpose and bringing them to the workshopHere&#8217;s some notes from the session (below). You can access the Tools List developed in conversation at the workshop here.
There were 13 people in attendance, split across experienced coders, poets, artists and experimental writers.  The session was led by John O&#8217;Shea, with me, Nathan Jones, and took the form of a half-day of presentations followed by a half-day of experimentation and discussion.
presentations
Nathan JonesI introduced the starting point for these workshops, being a dream of a poem that was in flux - responding to data that changed online and in the real world. Showed a sketch .mov that I made (which is posted here).
John O&#8217;SheaSpoke about an embryonic project he&#8217;d like to start that analyses existing essays on The Girl Chewing Gum, makes a list of phrases - for example each phrase starting &#8220;The Girl Chewing Gum is&#8230;&#8221; - so he can print them onto wrappers of gum, each containing one phrase, referencing the &#8216;consumability&#8217; of these essays.
Tom SchofieldSpoke about his approach text-coding work, an apparently massive subject.  Starting this conversation with a brief overview of his own text-coding work, including this working with translation software to distort virtual architectural models. For this project, Tom had made a programme which interrogated synonyms as a function of recursion. Recursion is interesting in this case, because it is a term used in coding (as in the Fork-Bomb) but also a linguistic term, for nested phrases.
Nick HollowayPresented several manifestations of the idea of text being called-up from online sources. We had tried to work with as close to real-time data as possible - in the end Twitter trending tools were a good tool.  He reworked a paragraph from Roy Fisher, replacing words with words from Twitter, it is here.
Scott SpencerSpoke briefly about his work with QR Codes. We will link to this when it comes up, but Scott will be working with QR Codes as a gateway between real and online/mobile identities.
Finally, Daniel Rourke presented with Kyoung Kmi on Skype from Korea!On the Glitch aesthetic, Glitch Karaoke, and embracing the glitch in digital streaming. Kyoung and Daniel emphasised the relationship here with language, and the way they seek to notate everything they do within gchat, on their blog etc. So the &#8216;manifesto&#8217; of the work works seamlessly with the product.
From these talks John wrote up these keywords and categories
IDEAS:&#8220;I guess what really excites me is&#8230;..[cut off]&#8221; KyoungThe Uncanny // Multiple LocationsNews Headlines // Youtube Subtitle Films // Karaoke LyricsEmoticonsUsers Input Decision Making to Group Web Doc Recursion Repetition brings narrative Anamophosis - hidden messages Glitch Aesthetic / Productive Error / Translation Error / Automatic Writing Fork Bomb
TOOLS: here ****Please do add to this in the comments and I will update it as we go!
The second half of the day was spent experimenting.
There is one product of this experimentation, by Sam Meech, written-up by Kyoung on the Glitch blog here.  Sam and Tim Brunsden worked on an idea where the lyrics of the Bon Jovi song &#8216;Livin on a Prayer&#8217; would change in response to presence.HERE ARE SOME NOTES (to jog memories more than anything, do fee free to add detail if you attended):Sam - &#8220;Livin on a Prayer&#8221; &#8230; Money = Faith - &#8220;Ginas Destinctive Style&#8221; / &#8220;Kafka Parthanogenisis&#8221;Tim - translate - can be automated (can it be set to timecode)Tom - General Architecture for Text Engineering GATEDaniel - Yahoo Pipes-to-twitter James and John - CorpusMaya and Nick - developing a &#8216;true collaboration&#8217; where the poem is written with the coder in mind.And this: &#8220;FILTHY MANGLED BITS OF TEXT&#8221;

Thanks everyone for attending the first Syntax workshop at Madlab.

We came up with these future plans.
- commissioning Open Source Code toolbox
- developing a web repository for these tools
- poets developing new text pieces for this purpose and bringing them to the workshop

Here’s some notes from the session (below). You can access the Tools List developed in conversation at the workshop here.

There were 13 people in attendance, split across experienced coders, poets, artists and experimental writers.  The session was led by John O’Shea, with me, Nathan Jones, and took the form of a half-day of presentations followed by a half-day of experimentation and discussion.

presentations

Nathan Jones
I introduced the starting point for these workshops, being a dream of a poem that was in flux - responding to data that changed online and in the real world. Showed a sketch .mov that I made (which is posted here).

John O’Shea
Spoke about an embryonic project he’d like to start that analyses existing essays on The Girl Chewing Gum, makes a list of phrases - for example each phrase starting “The Girl Chewing Gum is…” - so he can print them onto wrappers of gum, each containing one phrase, referencing the ‘consumability’ of these essays.

Tom Schofield
Spoke about his approach text-coding work, an apparently massive subject.  Starting this conversation with a brief overview of his own text-coding work, including this working with translation software to distort virtual architectural models. For this project, Tom had made a programme which interrogated synonyms as a function of recursion. Recursion is interesting in this case, because it is a term used in coding (as in the Fork-Bomb) but also a linguistic term, for nested phrases.

Nick Holloway
Presented several manifestations of the idea of text being called-up from online sources. We had tried to work with as close to real-time data as possible - in the end Twitter trending tools were a good tool.  He reworked a paragraph from Roy Fisher, replacing words with words from Twitter, it is here.

Scott Spencer
Spoke briefly about his work with QR Codes. We will link to this when it comes up, but Scott will be working with QR Codes as a gateway between real and online/mobile identities.

Finally, Daniel Rourke presented with Kyoung Kmi on Skype from Korea!
On the Glitch aesthetic, Glitch Karaoke, and embracing the glitch in digital streaming. Kyoung and Daniel emphasised the relationship here with language, and the way they seek to notate everything they do within gchat, on their blog etc. So the ‘manifesto’ of the work works seamlessly with the product.

From these talks John wrote up these keywords and categories

IDEAS:
“I guess what really excites me is…..[cut off]” Kyoung
The Uncanny // Multiple Locations
News Headlines // Youtube Subtitle Films // Karaoke Lyrics
Emoticons
Users Input Decision Making to Group Web Doc
Recursion
Repetition brings narrative
Anamophosis - hidden messages
Glitch Aesthetic / Productive Error / Translation Error / Automatic Writing
Fork Bomb

TOOLS: here ****Please do add to this in the comments and I will update it as we go!

The second half of the day was spent experimenting.

There is one product of this experimentation, by Sam Meech, written-up by Kyoung on the Glitch blog here.  Sam and Tim Brunsden worked on an idea where the lyrics of the Bon Jovi song ‘Livin on a Prayer’ would change in response to presence.

HERE ARE SOME NOTES (to jog memories more than anything, do fee free to add detail if you attended):
Sam - “Livin on a Prayer” … Money = Faith - “Ginas Destinctive Style” / “Kafka Parthanogenisis”
Tim - translate - can be automated (can it be set to timecode)
Tom - General Architecture for Text Engineering GATE
Daniel - Yahoo Pipes-to-twitter
James and John - Corpus
Maya and Nick - developing a ‘true collaboration’ where the poem is written with the coder in mind.
And this: “FILTHY MANGLED BITS OF TEXT”

TOOLS:PHPQR CodesMobile Phones Live StreamScraperwikiProcessingGoogle TranslateWordnetYahoo PipesSkype // G-ChatGeneral Architecture for Text Engineering
NOW adding, courtesy of Chris Funkhouser at New Jersey Institute of Technology PyProse - random poetry generatorGRT Language Workbench - language processing toolsoUNDtext - *I haven&#8217;t tried this yet*
please do add to this in the comments and I will update it as we go!

TOOLS:
PHP
QR Codes
Mobile Phones
Live Stream
Scraperwiki
Processing
Google Translate
Wordnet
Yahoo Pipes
Skype // G-Chat
General Architecture for Text Engineering

NOW adding, courtesy of Chris Funkhouser at New Jersey Institute of Technology
PyProse
- random poetry generator
GRT Language Workbench - language processing tool
soUNDtext - *I haven’t tried this yet*

please do add to this in the comments and I will update it as we go!

the weather in me

<iframe src=”http://player.vimeo.com/video/25316376?title=0&amp;byline=0&amp;portrait=0” width=”400” height=”300” frameborder=”0”></iframe><p><a href=”http://vimeo.com/25316376”>haiku</a> from <a href=”http://vimeo.com/user804984”>Maya Chowdhry</a> on <a href=”http://vimeo.com”>Vimeo</a>.</p>

i grew this haiku watched by a digital camera with an interval timer.  i’m interested in where code could take this…

some of my other work

hurry curry - one of my poetry films

Call for Papers

nb “Super the Natural”

Yozzer’s Cadence

I could     have been     a footballer
But I     had         a paper round.

I could     make out     a cadence
But I        
       
        misuse     a metrical
                        beat.

        take out     a        
        representative.     outperform

                development  infuse
        mouth

I         make        a      track
    I     voice

            bourgeois     metrical bar
But I
   
    market public         liverpool
    georgian city     a     better past.

I
But I

I could     carp up
But I

I could     store public     soul         cyprinid fish
But I     language  a city

I could                 smithereen
Sodom up     a capitalist   
But I     Elamite love lyric     Almaty

I could         stash away     aggregation     up a
capitalist     cyprinid         malacopterygian
But I     Caucasian             mate text

I could     gray away
        Dnipropetrovsk         crucian carp     whitefish
But I     honky hubby         missive         Kandahar

I could         mean             magnetic
But I passage

I could                     symbolise         a key    
        reproductive         structure         composing
                                             a worse       
                   
                        rhizome
                                    a worse        

                        awful
rootstock         flower
                        worsened

                                    stalk draw

   
                        dreadful         efficient
shuck steep     near to crown     block up
            type            anger

            surrounded     end             lines    
            rhizome mind
But I        

I     bear bounds             ignoble         line of descent     wad up an         end
    central                 near to         rootstock
But I     blood             a writing style         forever     of

        extent             ignoble         out        of        
        literary line                                                up

But I                     describe elegance         of

        contrarian expanse                                 bite off
                    a        
                        diagonal stem                                 up

But I                                 heart      
        adumbrate flair     forever

I could                                                 nibble
           
But I
                flair     forever       

I                                                     chomp off
   

                panache     evermore   

            sweep radix    
           
                    city-born
                elan     forevermore

I             scope
                    fabric
    I

I             name         geographical                         ache    
endmost        


            linage     of         geographical
gastralgia

            pensive
    I
            Olympian        

I                 false
                        endmost
    I

forevermore

I could         hold fast tabula rasa
                                shooting iron        near to
fresh
            body                                    the key curved
    Things impel systems

                            of useful
effusion     off             a         carob scarlet runner     venting near
lyric blank                     monastery
                                    actual
Things evoke systems                of
poetry            

I could                        clinch nomination     cleft     useful
rubber-necking     debacle             off         a     divi-divi pastoral gum
                                                choral ode
But I     encroach                  rhizomatic high-water
    the    
                            magnetic martingale of

                            co-option             blepharism of
                    debacle             a     divi-divi euphorbium
                                widow’s
        sparkle
     the                Things take     the system        off

I could                                         defile
But I        muster
        dander
                clinch

But I             remain last         map-reader
    the key        system
                 alone.

Re: Call for Articles

Dear XXXXXX XXXXXX,

I saw the call for articles via XXXXXX online.  (Please see below my abstract and some background info.)

warm regards
John O’Shea


=============================================

The Girl Chewing Gum (1976) is a wonderful work, hence, quite enough has been written about it.

A dynamic textual mash-up of existing critical readings offers a more relevant and immediate dialogue with this seminal piece.

=============================================

(response)

Dear John,

Your idea is a very good one. But I’d like you to rewrite the abstract. There will probably be about 7 or 8 articles on the film, studying it from various perspectives, and I would not be happy about publishing an abstract stating that quite enough has already been written on the subject. So please leave that out, and please find something that sounds just a bit more scholarly than a “textual mash-up.” Will you offer a critical survey of the literature on the film, comparing the various approaches that have been proposed? Please tell a bit more about what you plan to do and in a manner that would be appropriate for a peer-reviewed journal, though without sounding tedious.

Hope you don’t mind sending a new abstract before I can give a green light to your excellent idea.

Best,
XXXXXXX

Livin’ On A Prayer - subtitles for a new karaoke

Using subtitle (.srt) files as a way of playing with language in relation to video. full article here.

3 00:00:45,000 —> 00:00:49,000 Tommy previously worked in the docks 4 00:00:50,000 —> 00:00:51,500 The Union is on strike 5 00:00:51,500 —> 00:00:56,000 It is his happiness … It’s hard,

Imagine what you could do with your arduino

A bit of kit we didn’t touch on in practice, but which is totally relevant… and this is an amazing application and good comments too…

http://blog.makezine.com/archive/2011/08/enough-already-the-arduino-solution-to-overexposed-celebs.html

code for recursive synonym generator

//this code requires rita wordnet library

/***********************************************************************

 cc non commercial share alike 2011 Tom Schofield tsArt

  * All rights reserved.

 * THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” 

 * AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, 

 * THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE

 * ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE

 * FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES

 * (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS 

 * OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY

 * OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE 

 * OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED

 * OF THE POSSIBILITY OF SUCH DAMAGE. 

 *

 * ***********************************************************************/ 

import rita.wordnet.*;

RiWordnet wordnet;

String word;

String searchWord;

ArrayList display;

int myLimit=0;

PFont font;

int limiter=16;

void setup() {

  size(800,600);

  display=new ArrayList();

  frameRate(20);

  //font=loadFont(“MicrosoftSansSerif-36.vlw”);

  font=loadFont(“Courier-Bold-36.vlw”);

  textFont(font,36);

  wordnet = new RiWordnet(this);

  searchWord=wordnet.getRandomWord(“v”);

  searchWord=”cocainise”;

}

void draw() {

  background(0);

  text(searchWord, width-textWidth(searchWord)-50, height/2);

  if(frameCount%60==0) {

    display=new ArrayList();

    recur(1,searchWord);

  }

    for(int i=0;i<display.size();i++) {

      String displayMe=(String)display.get(i);

      fill(255,50+(map(cos(map(i,0,limiter,-PI/2,PI/2)),0,1,0,150)));

      text(displayMe,50+(i*10),36+(i*36));

      println(i+” “+cos(map(i,0,limiter,-PI/2,PI/2)));

  }

}

void recur( int level, String thisWord) {

  String [] syns=wordnet.getSynonyms(thisWord, “v”);

  try {

    thisWord=syns[0];

  }

  catch(Exception e) {

    println(e);

  }

  // text(“I will “+thisWord,50+(level*10),(level*36));

  String temp=”I will “+thisWord;

  display.add(temp);

  println(display.size());

  if(level<limiter) {

    level++;

    recur( level, thisWord);

  }

}

void keyPressed() {

  searchWord=wordnet.getRandomWord(“v”);

   display=new ArrayList();

  recur(1,searchWord);

}

The Code is Not the Text

Interesting essay by John Cayley via @therourke

Thanks everyone for attending the first Syntax workshop at Madlab.
We came up with these future plans. - commissioning Open Source Code toolbox - developing a web repository for these tools - poets developing new text pieces for this purpose and bringing them to the workshopHere&#8217;s some notes from the session (below). You can access the Tools List developed in conversation at the workshop here.
There were 13 people in attendance, split across experienced coders, poets, artists and experimental writers.  The session was led by John O&#8217;Shea, with me, Nathan Jones, and took the form of a half-day of presentations followed by a half-day of experimentation and discussion.
presentations
Nathan JonesI introduced the starting point for these workshops, being a dream of a poem that was in flux - responding to data that changed online and in the real world. Showed a sketch .mov that I made (which is posted here).
John O&#8217;SheaSpoke about an embryonic project he&#8217;d like to start that analyses existing essays on The Girl Chewing Gum, makes a list of phrases - for example each phrase starting &#8220;The Girl Chewing Gum is&#8230;&#8221; - so he can print them onto wrappers of gum, each containing one phrase, referencing the &#8216;consumability&#8217; of these essays.
Tom SchofieldSpoke about his approach text-coding work, an apparently massive subject.  Starting this conversation with a brief overview of his own text-coding work, including this working with translation software to distort virtual architectural models. For this project, Tom had made a programme which interrogated synonyms as a function of recursion. Recursion is interesting in this case, because it is a term used in coding (as in the Fork-Bomb) but also a linguistic term, for nested phrases.
Nick HollowayPresented several manifestations of the idea of text being called-up from online sources. We had tried to work with as close to real-time data as possible - in the end Twitter trending tools were a good tool.  He reworked a paragraph from Roy Fisher, replacing words with words from Twitter, it is here.
Scott SpencerSpoke briefly about his work with QR Codes. We will link to this when it comes up, but Scott will be working with QR Codes as a gateway between real and online/mobile identities.
Finally, Daniel Rourke presented with Kyoung Kmi on Skype from Korea!On the Glitch aesthetic, Glitch Karaoke, and embracing the glitch in digital streaming. Kyoung and Daniel emphasised the relationship here with language, and the way they seek to notate everything they do within gchat, on their blog etc. So the &#8216;manifesto&#8217; of the work works seamlessly with the product.
From these talks John wrote up these keywords and categories
IDEAS:&#8220;I guess what really excites me is&#8230;..[cut off]&#8221; KyoungThe Uncanny // Multiple LocationsNews Headlines // Youtube Subtitle Films // Karaoke LyricsEmoticonsUsers Input Decision Making to Group Web Doc Recursion Repetition brings narrative Anamophosis - hidden messages Glitch Aesthetic / Productive Error / Translation Error / Automatic Writing Fork Bomb
TOOLS: here ****Please do add to this in the comments and I will update it as we go!
The second half of the day was spent experimenting.
There is one product of this experimentation, by Sam Meech, written-up by Kyoung on the Glitch blog here.  Sam and Tim Brunsden worked on an idea where the lyrics of the Bon Jovi song &#8216;Livin on a Prayer&#8217; would change in response to presence.HERE ARE SOME NOTES (to jog memories more than anything, do fee free to add detail if you attended):Sam - &#8220;Livin on a Prayer&#8221; &#8230; Money = Faith - &#8220;Ginas Destinctive Style&#8221; / &#8220;Kafka Parthanogenisis&#8221;Tim - translate - can be automated (can it be set to timecode)Tom - General Architecture for Text Engineering GATEDaniel - Yahoo Pipes-to-twitter James and John - CorpusMaya and Nick - developing a &#8216;true collaboration&#8217; where the poem is written with the coder in mind.And this: &#8220;FILTHY MANGLED BITS OF TEXT&#8221;

Thanks everyone for attending the first Syntax workshop at Madlab.

We came up with these future plans.
- commissioning Open Source Code toolbox
- developing a web repository for these tools
- poets developing new text pieces for this purpose and bringing them to the workshop

Here’s some notes from the session (below). You can access the Tools List developed in conversation at the workshop here.

There were 13 people in attendance, split across experienced coders, poets, artists and experimental writers.  The session was led by John O’Shea, with me, Nathan Jones, and took the form of a half-day of presentations followed by a half-day of experimentation and discussion.

presentations

Nathan Jones
I introduced the starting point for these workshops, being a dream of a poem that was in flux - responding to data that changed online and in the real world. Showed a sketch .mov that I made (which is posted here).

John O’Shea
Spoke about an embryonic project he’d like to start that analyses existing essays on The Girl Chewing Gum, makes a list of phrases - for example each phrase starting “The Girl Chewing Gum is…” - so he can print them onto wrappers of gum, each containing one phrase, referencing the ‘consumability’ of these essays.

Tom Schofield
Spoke about his approach text-coding work, an apparently massive subject.  Starting this conversation with a brief overview of his own text-coding work, including this working with translation software to distort virtual architectural models. For this project, Tom had made a programme which interrogated synonyms as a function of recursion. Recursion is interesting in this case, because it is a term used in coding (as in the Fork-Bomb) but also a linguistic term, for nested phrases.

Nick Holloway
Presented several manifestations of the idea of text being called-up from online sources. We had tried to work with as close to real-time data as possible - in the end Twitter trending tools were a good tool.  He reworked a paragraph from Roy Fisher, replacing words with words from Twitter, it is here.

Scott Spencer
Spoke briefly about his work with QR Codes. We will link to this when it comes up, but Scott will be working with QR Codes as a gateway between real and online/mobile identities.

Finally, Daniel Rourke presented with Kyoung Kmi on Skype from Korea!
On the Glitch aesthetic, Glitch Karaoke, and embracing the glitch in digital streaming. Kyoung and Daniel emphasised the relationship here with language, and the way they seek to notate everything they do within gchat, on their blog etc. So the ‘manifesto’ of the work works seamlessly with the product.

From these talks John wrote up these keywords and categories

IDEAS:
“I guess what really excites me is…..[cut off]” Kyoung
The Uncanny // Multiple Locations
News Headlines // Youtube Subtitle Films // Karaoke Lyrics
Emoticons
Users Input Decision Making to Group Web Doc
Recursion
Repetition brings narrative
Anamophosis - hidden messages
Glitch Aesthetic / Productive Error / Translation Error / Automatic Writing
Fork Bomb

TOOLS: here ****Please do add to this in the comments and I will update it as we go!

The second half of the day was spent experimenting.

There is one product of this experimentation, by Sam Meech, written-up by Kyoung on the Glitch blog here.  Sam and Tim Brunsden worked on an idea where the lyrics of the Bon Jovi song ‘Livin on a Prayer’ would change in response to presence.

HERE ARE SOME NOTES (to jog memories more than anything, do fee free to add detail if you attended):
Sam - “Livin on a Prayer” … Money = Faith - “Ginas Destinctive Style” / “Kafka Parthanogenisis”
Tim - translate - can be automated (can it be set to timecode)
Tom - General Architecture for Text Engineering GATE
Daniel - Yahoo Pipes-to-twitter
James and John - Corpus
Maya and Nick - developing a ‘true collaboration’ where the poem is written with the coder in mind.
And this: “FILTHY MANGLED BITS OF TEXT”

TOOLS:PHPQR CodesMobile Phones Live StreamScraperwikiProcessingGoogle TranslateWordnetYahoo PipesSkype // G-ChatGeneral Architecture for Text Engineering
NOW adding, courtesy of Chris Funkhouser at New Jersey Institute of Technology PyProse - random poetry generatorGRT Language Workbench - language processing toolsoUNDtext - *I haven&#8217;t tried this yet*
please do add to this in the comments and I will update it as we go!

TOOLS:
PHP
QR Codes
Mobile Phones
Live Stream
Scraperwiki
Processing
Google Translate
Wordnet
Yahoo Pipes
Skype // G-Chat
General Architecture for Text Engineering

NOW adding, courtesy of Chris Funkhouser at New Jersey Institute of Technology
PyProse
- random poetry generator
GRT Language Workbench - language processing tool
soUNDtext - *I haven’t tried this yet*

please do add to this in the comments and I will update it as we go!

the weather in me

<iframe src=”http://player.vimeo.com/video/25316376?title=0&amp;byline=0&amp;portrait=0” width=”400” height=”300” frameborder=”0”></iframe><p><a href=”http://vimeo.com/25316376”>haiku</a> from <a href=”http://vimeo.com/user804984”>Maya Chowdhry</a> on <a href=”http://vimeo.com”>Vimeo</a>.</p>

i grew this haiku watched by a digital camera with an interval timer.  i’m interested in where code could take this…

some of my other work

hurry curry - one of my poetry films

Yozzer’s Cadence
Re: Call for Articles
Livin’ On A Prayer - subtitles for a new karaoke
Imagine what you could do with your arduino
code for recursive synonym generator
the weather in me

About:

coders and poets sharespace
associated with Mercy and Re-dock