Call for Papers
nb “Super the Natural”
Yozzer’s Cadence
I could have been a footballer
But I had a paper round.
I could make out a cadence
But I
misuse a metrical
beat.
take out a
representative. outperform
development infuse
mouth
I make a track
I voice
bourgeois metrical bar
But I
market public liverpool
georgian city a better past.
I
But I
I could carp up
But I
I could store public soul cyprinid fish
But I language a city
I could smithereen
Sodom up a capitalist
But I Elamite love lyric Almaty
I could stash away aggregation up a
capitalist cyprinid malacopterygian
But I Caucasian mate text
I could gray away
Dnipropetrovsk crucian carp whitefish
But I honky hubby missive Kandahar
I could mean magnetic
But I passage
I could symbolise a key
reproductive structure composing
a worse
rhizome
a worse
awful
rootstock flower
worsened
stalk draw
dreadful efficient
shuck steep near to crown block up
type anger
surrounded end lines
rhizome mind
But I
I bear bounds ignoble line of descent wad up an end
central near to rootstock
But I blood a writing style forever of
extent ignoble out of
literary line up
But I describe elegance of
contrarian expanse bite off
a
diagonal stem up
But I heart
adumbrate flair forever
I could nibble
But I
flair forever
I chomp off
panache evermore
sweep radix
city-born
elan forevermore
I scope
fabric
I
I name geographical ache
endmost
linage of geographical
gastralgia
pensive
I
Olympian
I false
endmost
I
forevermore
I could hold fast tabula rasa
shooting iron near to
fresh
body the key curved
Things impel systems
of useful
effusion off a carob scarlet runner venting near
lyric blank monastery
actual
Things evoke systems of
poetry
I could clinch nomination cleft useful
rubber-necking debacle off a divi-divi pastoral gum
choral ode
But I encroach rhizomatic high-water
the
magnetic martingale of
co-option blepharism of
debacle a divi-divi euphorbium
widow’s
sparkle
the Things take the system off
I could defile
But I muster
dander
clinch
But I remain last map-reader
the key system
alone.
Re: Call for Articles
Dear XXXXXX XXXXXX,
I saw the call for articles via XXXXXX online. (Please see below my abstract and some background info.)
warm regards
John O’Shea
=============================================
The Girl Chewing Gum (1976) is a wonderful work, hence, quite enough has been written about it.
A dynamic textual mash-up of existing critical readings offers a more relevant and immediate dialogue with this seminal piece.
=============================================
(response)
Dear John,
Your idea is a very good one. But I’d like you to rewrite the abstract. There will probably be about 7 or 8 articles on the film, studying it from various perspectives, and I would not be happy about publishing an abstract stating that quite enough has already been written on the subject. So please leave that out, and please find something that sounds just a bit more scholarly than a “textual mash-up.” Will you offer a critical survey of the literature on the film, comparing the various approaches that have been proposed? Please tell a bit more about what you plan to do and in a manner that would be appropriate for a peer-reviewed journal, though without sounding tedious.
Hope you don’t mind sending a new abstract before I can give a green light to your excellent idea.
Best,
XXXXXXX
Livin’ On A Prayer - subtitles for a new karaoke
Using subtitle (.srt) files as a way of playing with language in relation to video. full article here.
3 00:00:45,000 —> 00:00:49,000 Tommy previously worked in the docks 4 00:00:50,000 —> 00:00:51,500 The Union is on strike 5 00:00:51,500 —> 00:00:56,000 It is his happiness … It’s hard,
Imagine what you could do with your arduino
A bit of kit we didn’t touch on in practice, but which is totally relevant… and this is an amazing application and good comments too…
code for recursive synonym generator
//this code requires rita wordnet library
/***********************************************************************
cc non commercial share alike 2011 Tom Schofield tsArt
* All rights reserved.
* THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS”
* AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO,
* THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE
* ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE
* FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES
* (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS
* OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY
* OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE
* OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED
* OF THE POSSIBILITY OF SUCH DAMAGE.
*
* ***********************************************************************/
import rita.wordnet.*;
RiWordnet wordnet;
String word;
String searchWord;
ArrayList display;
int myLimit=0;
PFont font;
int limiter=16;
void setup() {
size(800,600);
display=new ArrayList();
frameRate(20);
//font=loadFont(“MicrosoftSansSerif-36.vlw”);
font=loadFont(“Courier-Bold-36.vlw”);
textFont(font,36);
wordnet = new RiWordnet(this);
searchWord=wordnet.getRandomWord(“v”);
searchWord=”cocainise”;
}
void draw() {
background(0);
text(searchWord, width-textWidth(searchWord)-50, height/2);
if(frameCount%60==0) {
display=new ArrayList();
recur(1,searchWord);
}
for(int i=0;i<display.size();i++) {
String displayMe=(String)display.get(i);
fill(255,50+(map(cos(map(i,0,limiter,-PI/2,PI/2)),0,1,0,150)));
text(displayMe,50+(i*10),36+(i*36));
println(i+” “+cos(map(i,0,limiter,-PI/2,PI/2)));
}
}
void recur( int level, String thisWord) {
String [] syns=wordnet.getSynonyms(thisWord, “v”);
try {
thisWord=syns[0];
}
catch(Exception e) {
println(e);
}
// text(“I will “+thisWord,50+(level*10),(level*36));
String temp=”I will “+thisWord;
display.add(temp);
println(display.size());
if(level<limiter) {
level++;
recur( level, thisWord);
}
}
void keyPressed() {
searchWord=wordnet.getRandomWord(“v”);
display=new ArrayList();
recur(1,searchWord);
}
The Code is Not the Text
Interesting essay by John Cayley via @therourke
Thanks everyone for attending the first Syntax workshop at Madlab.
We came up with these future plans.
- commissioning Open Source Code toolbox
- developing a web repository for these tools
- poets developing new text pieces for this purpose and bringing them to the workshop
Here’s some notes from the session (below). You can access the Tools List developed in conversation at the workshop here.
There were 13 people in attendance, split across experienced coders, poets, artists and experimental writers. The session was led by John O’Shea, with me, Nathan Jones, and took the form of a half-day of presentations followed by a half-day of experimentation and discussion.
presentations
Nathan Jones
I introduced the starting point for these workshops, being a dream of a poem that was in flux - responding to data that changed online and in the real world. Showed a sketch .mov that I made (which is posted here).
John O’Shea
Spoke about an embryonic project he’d like to start that analyses existing essays on The Girl Chewing Gum, makes a list of phrases - for example each phrase starting “The Girl Chewing Gum is…” - so he can print them onto wrappers of gum, each containing one phrase, referencing the ‘consumability’ of these essays.
Tom Schofield
Spoke about his approach text-coding work, an apparently massive subject. Starting this conversation with a brief overview of his own text-coding work, including this working with translation software to distort virtual architectural models. For this project, Tom had made a programme which interrogated synonyms as a function of recursion. Recursion is interesting in this case, because it is a term used in coding (as in the Fork-Bomb) but also a linguistic term, for nested phrases.
Nick Holloway
Presented several manifestations of the idea of text being called-up from online sources. We had tried to work with as close to real-time data as possible - in the end Twitter trending tools were a good tool. He reworked a paragraph from Roy Fisher, replacing words with words from Twitter, it is here.
Scott Spencer
Spoke briefly about his work with QR Codes. We will link to this when it comes up, but Scott will be working with QR Codes as a gateway between real and online/mobile identities.
Finally, Daniel Rourke presented with Kyoung Kmi on Skype from Korea!
On the Glitch aesthetic, Glitch Karaoke, and embracing the glitch in digital streaming. Kyoung and Daniel emphasised the relationship here with language, and the way they seek to notate everything they do within gchat, on their blog etc. So the ‘manifesto’ of the work works seamlessly with the product.
From these talks John wrote up these keywords and categories
IDEAS:
“I guess what really excites me is…..[cut off]” Kyoung
The Uncanny // Multiple Locations
News Headlines // Youtube Subtitle Films // Karaoke Lyrics
Emoticons
Users Input Decision Making to Group Web Doc
Recursion
Repetition brings narrative
Anamophosis - hidden messages
Glitch Aesthetic / Productive Error / Translation Error / Automatic Writing
Fork Bomb
TOOLS: here ****Please do add to this in the comments and I will update it as we go!
The second half of the day was spent experimenting.
There is one product of this experimentation, by Sam Meech, written-up by Kyoung on the Glitch blog here. Sam and Tim Brunsden worked on an idea where the lyrics of the Bon Jovi song ‘Livin on a Prayer’ would change in response to presence.
HERE ARE SOME NOTES (to jog memories more than anything, do fee free to add detail if you attended):
Sam - “Livin on a Prayer” … Money = Faith - “Ginas Destinctive Style” / “Kafka Parthanogenisis”
Tim - translate - can be automated (can it be set to timecode)
Tom - General Architecture for Text Engineering GATE
Daniel - Yahoo Pipes-to-twitter
James and John - Corpus
Maya and Nick - developing a ‘true collaboration’ where the poem is written with the coder in mind.
And this: “FILTHY MANGLED BITS OF TEXT”
TOOLS:
PHP
QR Codes
Mobile Phones
Live Stream
Scraperwiki
Processing
Google Translate
Wordnet
Yahoo Pipes
Skype // G-Chat
General Architecture for Text Engineering
NOW adding, courtesy of Chris Funkhouser at New Jersey Institute of Technology
PyProse - random poetry generator
GRT Language Workbench - language processing tool
soUNDtext - *I haven’t tried this yet*
please do add to this in the comments and I will update it as we go!
the weather in me
<iframe src=”http://player.vimeo.com/video/25316376?title=0&byline=0&portrait=0” width=”400” height=”300” frameborder=”0”></iframe><p><a href=”http://vimeo.com/25316376”>haiku</a> from <a href=”http://vimeo.com/user804984”>Maya Chowdhry</a> on <a href=”http://vimeo.com”>Vimeo</a>.</p>
i grew this haiku watched by a digital camera with an interval timer. i’m interested in where code could take this…
hurry curry - one of my poetry films